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Recently, the cross talk industry has been really lively, and the farce is dumbfounded. Yang Yi openly criticized Hou Yaohua in the live broadcast room, which is shocking enough. Unexpectedly, this also led to a character like Li Kuan, leading to a series of rights and wrongs.
Li Kuan, this name may not sound familiar to you at first glance. But when it comes to his father Li Jinxiang, he is a proud disciple of the famous cross talk master Tang Jiezhong. Li Jinxiang has been deeply involved in the field of cross talk for many years, and with his solid foundation and unique performance style, he has won the love of many audiences and the recognition of industry insiders. As the son of Li Jinxiang, Li Kuan has lived in the atmosphere of cross talk since he was a child, and he has developed a strong interest in the art of cross talk.
As for Li Kuan himself, he also apprenticed to Li Jindou. Li Jindou, who is a well-known figure in the cross talk world, has profound artistic attainments and rich acting experience. Li Kuan lived and ate at Li Jindou's house for three years to formally learn art, and during that time, Li Jindou could be said to have done his best.
He not only taught Li Kuan the skills and essence of cross talk without reservation, but also personally took him into the small theater, allowing him to accumulate experience and hone his skills in actual combat. In order to give Li Kuan more opportunities to show, Li Jindou also helped him participate in various programs, hoping that he could make a name for himself on a broader stage.
Once, Li Kuana was also grateful to Li Jindou, and published an article about the deep love between master and apprentice, and the words were full of respect and gratitude. That article seems to let people see the sincere emotions between master and apprentice, and see Li Kuan's admiration for his master and his love for the art of cross talk.
Who would have thought that time has passed, and this master-apprentice, who was once as close as father and son, is now at odds with each other, and even severed their relationship. It is said that the reason is that Li Kuan is arrogant. This is truly shocking and embarrassing. The former friendship between master and apprentice has become so fragile and vulnerable with the passage of time.
Looking at Li Kuan's evaluation in the industry, although he has also won awards, he has been unknown in the talent-rich cross talk industry. Maybe it's because he hasn't found his own unique acting style, or maybe it's because he lacks some opportunities and luck. But this doesn't seem to affect his lofty vision, and he even looks down on Yue Yunpeng and many other cross talk actors.
This is really confusing, Yue Yunpeng and other cross talk actors have made remarkable achievements in the cross talk industry through their own efforts and talents, and have gained the love and support of countless audiences. And Li Kuan's own fame is not very good, and his works have not caused much repercussions, where did he get the confidence to despise others so much?
Moreover, Li Kuan got acquainted with Hou Yaohua through Li Jindou, and after that, the two got closer and closer, and they also broadcast live together. This was originally an opportunity for him to expand his contacts and improve himself, but he didn't expect that this series of actions made him famous in the cross talk world, but unfortunately his reputation was not very good. He did not win the recognition and respect of the audience with his strength and works, but was controversial because of some inappropriate words, deeds and interpersonal relationships.
Yang Yi criticized Hou Yaohua, but Li Kuan launched a verbal attack on Yang Yi. The entanglement in this makes people sigh at the complexity and changeability of the cross talk world. The circle that was supposed to inherit art and bring joy to the audience was full of such strife and contradictions.
I think that back then, under the careful teaching of Li Jindou, Li Kuan may have been full of dreams and wanted to break out in the cross talk world. But now, he is against his master, and his reputation in the industry is not good, whose fault is this situation? Was it his own hubris, or was it the result of all the temptations and pressures in this circle?
Perhaps, there are more untold stories and details behind this. But in any case, the occurrence of such a thing is undoubtedly a harm to the traditional art of cross talk. We look forward to more harmony and less strife in the cross talk world, so that this art can truly be inherited and developed, instead of being troubled by these disturbances.
As for what Li Kuan's future path will be, whether he can recognize his own problems, regain his position in the cross talk world, or continue to fall deeper and deeper in the whirlpool of right and wrong, we can only wait and see.
When thinking about Li Kuan's experience, we can't help but ask, why did the relationship that was originally full of master-apprentice friendship come to such an unbearable state? Is it the weakness of human nature, or is it due to the pressure of the industry environment?
From Li Kuan's point of view, his arrogance may be an important reason for the rebellion between master and apprentice and the poor reputation in the industry. If a person is not humble about his achievements and status, it is easy to lose himself after a little achievement.
is like Li Kuan, although he has won some awards, but in the field of cross talk, which is full of talents, this achievement is really not enough to support his conceit. He looks down on Yue Yunpeng and other well-known cross talk actors, and this blind arrogance not only damages his own image, but also destroys his interpersonal relationships in the industry.
Nor can we just put the blame on Li Kuan personally. Competitive pressures and commercialization trends in the crosstalk industry may also be potential factors contributing to this situation. In today's society, cross talk actors not only have to face competition from their peers, but also have to deal with challenges from other forms of entertainment. In order to stand out from the crowd of competitors, some actors may resort to quick success, even at the expense of violating ethics and industry norms.
For Li Kuan, in the face of criticism and questioning from the outside world, he did not choose to reflect on himself, but adopted a radical confrontational attitude, which further exacerbated his predicament. This also reminds us that in the face of public opinion pressure, we must remain calm and rational, and use a positive attitude to solve problems.
So, how can similar tragedies be prevented from happening again? Cross talk actors themselves should strengthen their moral cultivation and artistic pursuit, maintain the quality of humility and diligence, and constantly improve their professional level. At the same time, industry associations should also play a greater role, strengthen the management and guidance of actors, standardize the order of the industry, and create a healthy and positive environment for development.
The audience should also establish a correct aesthetic concept, not blindly pursue those actors who only pursue gimmicks and short-term interests, but support those who are truly committed to inheriting and developing the art of cross talk. Only with the joint efforts of actors, industry associations and audiences can the cross talk industry return to the track of art-based and harmonious development.
Li Kuan's story is a wake-up call for us to see the problems and challenges that exist in the cross talk industry. I hope that through the joint efforts of everyone, this traditional art can radiate new vitality and vitality, and bring more joy and emotion to the audience.