Hu Die (March 23, 1908 - April 23, 1989), formerly known as Hu Ruihua, was born in Shanghai, born in Shanghai, one of China's best film actors, China's first "movie queen", in the beauty pageant "Election Conference of the Movie Queen" held by Star Daily, Hu Die was rated first with 21,334 votes.
butterfly
In 1925, Hu Die participated in his first film "War Exploits" to start his film career; In the same year, she played the heroine for the first time in the feature film "Autumn Fan Resentment". In 1928, she was invited to join the Star Film Company. In March 1931, she starred in China's first sound film "Singing Girl Red Peony" and was released at the Xinguang Theater in Shanghai. In 1932, he starred in "Laughing Karma".
Stills from "Singing Girl Red Peony".
In January 1933, Hu Die was elected as the "Movie Queen" selected by Shanghai's "Star Daily" with 21,334 votes, and then won the "Three Consecutive Championships" in the "Chinese Film Queen Election"; In March, she starred in China's first left-wing film "Wild Current"; In the same year, she starred in the movie "Sister Flower" and became the representative work of her acting career. In 1937, when the Lugou Bridge Incident broke out, Hu Die went to Hong Kong and successively filmed the costume film "Peerless Beauty" and the romance film "Peacock Flying Southeast" and other films.
Stills from "Sister Flowers".
In 1946, Hu Die moved from Shanghai to Hong Kong, and after starring in the movie "Dream of Spring" and other films in Hong Kong, she decided to bid farewell to the film industry and concentrate on assisting her husband Pan Yousheng in business. In 1960, she won the Best Actress Award at the 7th Asian Film Festival for her starring romance film "Back Door". In 1966, she ended her film career after filming "The Woman in the Tower". On April 23, 1989, Hu Die died in Canada at the age of 81.
Hu Die was a legendary movie star during the Republic of China and was known as the "first beauty of the Republic of China". Her life is full of dramatic ups and downs, not only achieving brilliant achievements in the film industry, but also attracting attention because of her entanglement with Dai Li. Her life course not only reflects the vicissitudes of an era, but also demonstrates her tenacity and wisdom as a woman.
Early life and rise
Hu Die was born in 1908 in Shanghai to an ordinary family. From an early age, she showed a keen interest in acting. In 1924, Hu Die entered the Shanghai Nanguo Drama Society to study acting and began her acting career. Her talent and hard work soon paid off, and in 1928, she starred in the film "The Burning of the Red Lotus Temple", which was a huge success and made her an overnight celebrity. Subsequently, she showed superb acting skills in films such as "The Goddess" and "Three Modern Women", and quickly became a leading figure in the Chinese film industry.
Hu Die not only attracted countless audiences with his beautiful appearance, but also won unanimous praise from inside and outside the industry for his excellent acting skills. The roles she played, whether sad or happy, rigid or soft, were all deeply rooted in the hearts of the people and became the goddess in the hearts of countless audiences in that era. Her filmography is diverse, from romance to social films, all of which showcase her multifaceted talent.
Stills from Hu Die's "Burning Red Lotus Temple".
Entanglement with Dai Li
Dai Li, the head of the Kuomintang Military Command Bureau, is known as "Chiang Kai-shek's sword", and his relationship with Hu Die can be called a legend during the Republic of China. It is rumored that Dai Li fell in love with Hu Die at first sight, so he used all kinds of means to take her for himself. Although Hu Die already had a family and a career, under the coercion of Dai Li's power, he had to succumb to his demands and maintained an ambiguous relationship with him for three years.
Li
Hu Die and Dai Li
This relationship has had a profound impact on Hu Die, which is not only a painful experience in her life, but also an important part of her growth. Dai Li's domineering and controlling desire has suppressed her, and although she is still the radiant star in the eyes of the outside world, her inner torment is indescribable. Dai Li's death in a plane crash in 1946 finally freed Hu Die and regained control of his life.
Dai Li's funeral
Marriage and old age
Hu Die's husband, Pan Yousheng, is a wealthy businessman, and their marriage has played a stabilizing role in Hu Die's career. Although the relationship between Hu Die and Dai Li once cast a shadow on her marriage, Pan Yousheng has always been loyal to her. Their marriage lasted until Pan Yousheng's death, and Pan Yousheng's support and understanding were an important pillar for Hu Die to get through those difficult years.
Hu Die and her husband Pan Yousheng
In his later years, Hu Die chose to settle in Canada and lived a low-key life, away from the distractions of the film industry. In 1989, Hu Die died in Canada at the age of 81. According to her last wishes, she and her husband Pan Yousheng were buried together, symbolizing that the husband and wife were finally able to stay together for a long time, ending her magnificent life.
Hu Die and her husband Pan Yousheng are in Canada
The status and cultural influence of the film industry
Hu Die's position in the history of Chinese cinema is unshakable. She was not only the top star during the Republic of China, but also a cultural symbol of that era. Her beauty and talent have made her a role model in the hearts of countless women, and many people have embarked on the path of acting because of her.
Hu Die's film works are still talked about today, and her classic images have deeply influenced the development of Chinese films. Her story is not only a personal legend, but also a microcosm of an era. Through her experience, we can get a glimpse of the changes in that turbulent era, as well as the struggle and perseverance of people in the torrent of history.
Hu Die's success is not only due to her beauty, but also to her love for art and strict requirements for herself. Her professionalism and professional attitude have enabled her to achieve one brilliant achievement after another in the film industry. She is not only an idol of that era, but also a role model for future generations of filmmakers to follow.
Butterfly Near-Illumination
Hu Die's tenacity and wisdom
In that turbulent era, Hu Die not only had to face competition and pressure in his career, but also had to deal with complex interpersonal relationships and political environments. Although her relationship with Dai Li caused her a lot of trouble, she did not give in or give up her ideals because of this. On the contrary, the experience made her stronger and more mature. She used her wisdom and courage to finally break free from Dai Li's control and regain control of her life.
Hu Die's story shows us that women can remain resilient and confident in the face of adversity. Her beauty and talent certainly put her in the limelight, but her tenacity and intelligence are where her true strength lies. Hu Die used her own experience to show the world how a woman can maintain herself and pursue her dreams in a difficult situation.
Butterfly Near-Illumination
epilogue
Hu Die's life is full of legends. She has grown from an ordinary Shanghai girl to the "No. 1 Beauty of the Republic of China" and has made brilliant achievements in the film industry. Her entanglement with Dai Li, and the ending of her eventual burial with her husband, add a bit of tragedy to her story.
Hu Die's beauty and talent made her an icon of her time, and her tenacity and wisdom made her persevere in the turbulent years. Her story is not just a personal experience, but a testimony to the era. By understanding Hu Die's life, we can better understand that period of history, as well as the loves, hatreds, and hatreds of the people who lived in it.
Hu Die's life course is like a movie with ups and downs, with both brilliant moments and painful moments. However, whether it is glory or pain, Hu Die has faced it in a unique way and left an indelible mark on the long river of history. Her life is not only a witness to the development of Chinese films during the Republic of China, but also a symbol of the power of women in an era.