In the Qianshu Culture and Art Exhibition Hall
The reporter saw the travel tea set, cultural and creative ornaments,
Music incense vessels, aromatherapy lamps and other "trendy toys" good things
Fashionable without losing cultural charm
Extraordinarily eye-catching
"The panda is a national treasure of our country." Lin Jianwu, founder of Dehua County Qianshu Cultural and Creative Co., Ltd., said that the "Tuan Tuan Reunion" travel tea set is composed of a pot of three cups, which can be stored in one, and the cup body is decorated with different forms of pandas, bamboo, and rockeries. The name of this set of porcelain is taken from the milk names "Tuan Tuan" and "Yuanyuan" of the two giant pandas given to Taiwan, symbolizing the good wish that Taiwan can return to the embrace of the motherland as soon as possible, and implying a happy family and a harmonious reunion.
"On the basis of traditional Chinese elements, I combine pop culture and popular elements to carry out interesting secondary creations, so that ceramic ornaments are full of fun." Lin Jianwu told reporters, such as the work "Jixing Gaozhao" to take the statue of Emperor Wenchang, for Q version design, dignified figure, wearing a Tang scarf (also known as Jinshi crown), wearing civil official clothing, natural and smooth clothing lines, holding Ruyi, the shape is full, the face is peaceful and pleasing, the character carving skills are exquisite, vividly and vividly show the elegant and dignified state of Emperor Wenchang, with a bamboo pen and inspirational notebook, implying that the star of Wenqu is the king, and the title of the gold list is inscribed.
The work "Sea Niangniang" Mazu wears a crown, holds a token, and is surrounded by a phoenix on her side, retaining the prototype design of Mazu, giving Hai Niangniang a cute image of lively cartoons in the form of trendy toys, which is more trendy and more in line with the aesthetic vision of the younger generation.
In addition to appreciating the cultural and creative ornaments with a combination of functions, the integration of porcelain wood material with modern technology is a highlight of the "Qianshu" brand products. According to Lin Jianwu, the work "Alluring Peony" is designed with the original intention of blooming the beauty of nature and lighting up the light of life, and is designed with traditional craftsmanship and oriental aroma to explore the ultimate sensory aromatherapy lamp. The aromatherapy part is made of Dehua intangible cultural heritage hand-kneaded porcelain flowers with essential oil diffusion; The lantern part is updated with modern technology, and the three-color light is adjustable, the white light is like the morning light, the yellow light is like the afterglow, and the warm light is like the sunset; The magnetic lampshade can adjust the fragrance concentration according to needs, so that each strand of molecules carries the imprint of time, highlighting the unique charm of the Orient. Savor the flow of history in fragrance and light, feel the harmonious symphony of tradition and modernity, and stimulate the new vitality of culture.
"Blessing" pot is also happy, covering the sound of heaven. The pot-shaped music incense vessel combines the functional design of music and aroma, presenting a unique shape and strong cultural connotation. The pot-shaped music incense ware is mainly made of ceramics, combined with wood and copper technology, and the texture is high-end. The function of the incense vessel is mainly based on the dynamic image of the spout to express the charm of the pot incense; The music function is based on the Qianlong Tongbao element as the sound hole, and the music mode is TF card mode and Bluetooth mode; Incense lighting function, hidden incense arc design, no need for lighter to ignite. Xiangle walks together, full of blessings. People can find a piece of tranquility and beauty in the busy urban life, and they can also feel the heritage and connotation of traditional culture.
Lin Jianwu:
In the future, I will continue to devote myself to combining modern design with scientific and technological innovation, not obsessing with minimalist functionalism in the design style, but injecting different artistic styles appropriately according to the needs of the product, and combining with southern Fujian and even Chinese elements and traditional production techniques to create localized beauty and unique and innovative utensils.
Reporter | Zheng Zhide
Edit | Lai Lujing
Audit | First trial: Lai Lujing
Second trial: Zheng Shifa
Third trial: Chen Zhiming