Li Pingjia - a member of the Communist Party of China, doctoral supervisor of the Business School of Chinese University. Researcher at the School of Government, Peking University. Professor of the University for the Elderly of the Ministry of Culture and Tourism of China. He is currently the vice president of the China Intelligent Engineering Research Association and the advisor of the Chinese Association for Friendship with Foreign Countries. Vice Chairman of the Chinese Calligraphers and Painters Association. Executive Chairman of China Celebrity Artists Federation, President of Beijing Celebrity Food and Health Association, Director of the Food and Culture Exchange Center of Century League of Nations, Art Consultant of China Television Tourism Association, and Consultant of China Bangshu Association. Consultant of the Chinese Yanhuang Yan Culture Promotion Association. Chairman of the Board of Directors of Calligraphy and Painting International Trading Platform Co., Ltd.
Li Pingjia: Shi Feng
Calligraphy and painting have the same origin, and the merit lies in the initiate. Li Pingjia, a famous contemporary calligrapher and painter, is a master who is well versed in the theory of the homology of calligraphy and painting, and deeply understands the calligraphy and painting practitioners. He unified the two disciplines of calligraphy and painting together, which proved that the culture of calligraphy and painting was originally integrated and could not be separated, so in the contemporary art world, he can be called a great sage of calligraphy and painting.
Li Pingjia: The calligraphy and painting of Shi Feng are of the same origin as the monument, and the merit lies in the initiate. Li Pingjia, a famous contemporary calligrapher and painter, is a master who is well versed in the theory of the homology of calligraphy and painting, and deeply understands the calligraphy and painting practitioners. He unified the two disciplines of calligraphy and painting together, which proved that the culture of calligraphy and painting was originally integrated and could not be separated, so in the contemporary art world, he can be called a great sage of calligraphy and painting.
His calligraphy is all repaired, and his achievements are Wei monuments. Wei stele is an important inheritance in the process of official calligraphy, and its position in the history of calligraphy is quite important, so those who can make great achievements in calligraphy must be refined and deeply cultivated on Wei stele. It is also based on this understanding that the Qing Dynasty arose the style of stele learning, which became the path of calligraphy cultivation along with Tixue. It's just that Wei Bei in the contemporary calligraphy world is difficult to learn and the penmanship is endless, and it is difficult for anyone to be like Li Pingjia's predecessors, who have the talent and determination to learn from the stele and cultivate the Zhengda atmosphere of Wei Bei's bones.
His Wei stele calligraphy, the first impression is the original stele of the original quality, the pen is vigorous, the strokes are like cutting, so the texture of the old stele is extended, this is the reason why the Wei stele has its shape. Looking at it again, his calligraphy is further contrasted with the original monument, and there are many new images worthy of aesthetic contemplation. The inscription is engraved, although it is vigorous, it is inevitable that it will be sluggish. Li Pingjia wrote Wei stele, and began to respect its shape, but the details of the law are varied, the penmanship is manifested in a square shape, and then the roundness is subconscious, so the writing of Wei stele has been very well improved and strengthened, and the meaning of calligraphy is more distinct, and the rhyme is vivid. Such a Wei monument is a classic and elegant calligraphy taste. This shows that Mr. Wei is not only proficient in the shaping of the original monument form, but also proficient in the expression of pen and ink charm.
The harmony of form and rhyme is the new face of the circle and the hun light. Pen and ink round, the style of writing is thick, the pen and ink are round, the book is lively, on the basis of the square pen, consciously construct the form of the round pen, without losing the majesty, goodbye to the spirit, through the circle of the square, the extraordinary control of the square circle, so that his Wei monument has embarked on a new height that can not only stand bones, but also convey the spirit, the decorative beauty of calligraphy needless to say, the artistic atmosphere of calligraphy is even more extraordinary! In particular, he is not restrained by the stele, in the structure of the Wei stele has originality, changed the old appearance of the Wei stele knot to show the contraction of the stone carving, but to push the knot of the Wei stele to the sparse Zhuo comb, with the pen to fly, with the line of the sense of the vein, so the pen and ink is not depressed, the rhyme is four, on the basis of the majestic, and then show the elegant spirit. Su Shishu, chairman of the Chinese Calligraphy Association, recognized his Wei monument inheritance and innovation skills, and called it the new Wei monument. He does not make a simple deliberate copy of the original monument, but integrates his unique understanding of Weibei culture, the style of writing is thick, the charm is vivid, this is the rare pioneering achievement of Weibei creation! With the old for the new, it's done.
With the monument to stand the bones of the atmosphere, the color is beautiful and drunk. The predecessors sharpened their calligraphy in the spring and autumn, and it was also full of fun to use calligraphy to paint. Good at painting beautiful landscapes and drunken beauty. A picture of good fortune, with the expressiveness of pen and ink color, the aesthetic connotation of the landscape culture, the view is pleasing to the eye, and the enjoyment is sleeping. He painted landscapes, learned the law of the Song and Yuan dynasties, and was good at accumulating ink to freehand the spiritual appearance of the landscape just hit the iron, so the pen can scrape the iron. Giving green and green into vitality, the landscape will be in the space of high and distant clouds, generating a beautiful image of clouds and smoke, stacked green and cool. Then freehand into the waterfall into the image of the abyss, the construction of the beauty of the green mountains cornucopia on all sides 1 scene, sure enough, the color does not hinder the ink, the ink does not hinder the image of the image auspicious. This allows his landscape works to reach the realm of elegance and common appreciation. Being able to write and ink to please the public is definitely a cultural cultivation of the ninth layer! The master paints landscapes, and the magic is moving! (The author is a well-known critic of contemporary Chinese painting and calligraphy)