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"The Story of the Rose" is over, but everyone's beauty for Liu Yifei is still unfinished, and Tianxian is still continuing to hit the hot list.
Coincidentally, another domestic entertainment beauty, Gao Yuanyuan, with a high score of 8.0, "Stop-and-Go" is also being screened, and everyone also praises her beauty, and it has also been on the hot search recently.
You must know that in the past, when Van Gogh Yuanyuan participated in high-scoring movies, his mediocre acting skills would always be criticized for rat, and no one criticized him this time.
Weird, these two debuted for more than 20 years, and there has been no breakthrough in their acting skills when they returned, but in recent years, they have won the favor of the public with their beauty that is no longer in the flower season, and even set off a carnival of appreciating their beauty.
Especially Liu Yifei. Young people who eat melons may not know that the term "Tianxian" was a satire on Liu Yifei's empty beauty in the early years, but since Zhao Paner's beauty in "Menghualu" in 2022, Liu's national popularity has been fully awakened.
Even if the adaptation of "The Story of Rose" is not successful, because it is the face of the fairy sister, everyone also has an unprincipled preference.
Has Gao Yuanyuan and Liu Yifei's beauty been "overrated"? Actually, a little.
There are a lot of stunning beauties in domestic entertainment, although they stand out, but they are not the type of killer at first sight.
But the amazing thing is that they have crossed many more amazing beauties, and gradually become phenomenal figures in the rivers and lakes.
This kind of treatment seems to be more than just beauty.
Behind it, is the change of their personal hearts, public aesthetics, and internal entertainment ecology, which happen to be intertwined with the current return of domestic entertainment beauties.
It must be admitted that they are indeed beautiful, and they are so beautiful that they are in line with the aesthetics of the Chinese.
Too glamorous is enchanting, and the beauty that Chinese like is actually "modest". And these two cover a rich quality of beauty, and the content is just right, so the audience is wide, and men, women and children can be beautiful.
The left and right faces are extremely symmetrical, with three courts and five eyes, and a goose egg face with smooth lines and not too sharp, their beauty is atmospheric and dignified.
At the same time, Liu's Danfeng eyes are sharp and flattering, but the tip of the nose, the lips are blunt, and the eyebrows and the bridge of the nose are just balanced;
And the corners of Gao Yuanyuan's lips are pointy, and he often skims down when he doesn't smile, and he has a sense of distress, but the round and cute apricot eyes are just right.
I found that the acute and obtuse angles on his face are very good at addition and subtraction, and when combined, the national aesthetics are very accurate.
And the sense of relaxation of the natural beauty makes her look more agile in the crowd.
And both of them come from Kochi families, and the innocence and softness brought by the literary atmosphere and childhood wealth have been integrated into their eyes.
Even if Gao Yuanyuan doesn't smile, he puts on the style of a royal sister, compared with the same sweet and elegant actress Yu Feihong, his eyes are still much weaker
36-year-old Liu Yifei's latest Weibo photo is compared with her 43-year-old mother, Liu's eyes are more straightforward
Especially Liu Yifei, who is honest and externalized in the interview, has continued from her debut to the present.
on, interviews in the early years; Interview during "Mulan".
In the end, the appearance + temperament is just right, and it is skillfully and seamlessly blessed into a real goddess with a pure temperament and literary art.
Did you notice that Liu and Gao were both Jin Yong's heroines, but it was no coincidence.
Gao is the 03 version of "Heaven and Dragon Slayer" Zhou Zhiruo, Liu is the 03 version of "Dragon Babu" Wang Yuyan and the 06 version of "The Condor Heroes" Xiaolongnu.
You must know that Jin Yong's heroine is not made up out of thin air, the prototypes are all Jin Yong's goddesses in reality, the national goddess Xia Meng in the 50s and 60s. Jin Yong also said that Wang Yuyan is much smarter than Xia Meng.
It can be seen that the heroine of Jin Yong is a further extreme imagination on the basis of a realistic national ideal woman. Being able to play the heroine of Jin Yong is also proof that Gao and Liu had the natural posture of national goddesses at the beginning of their debut.
After all, what is Wang Yuyan's beauty? With just a sigh, Duan Yu "shook his whole body, his heart pounded, and his blood was boiling", "and when he saw his back, he only felt that the smoke was shrouded, and he fell into a fairyland." The slender figure and the long hair of the shawl reflect a pure and sacred atmosphere. ”
Needless to say, the little dragon girl is completely a concrete representation of "truth, goodness and beauty".
And Zhou Zhiruo is not inferior, her clothes are old, she is barefoot, and she is still crying, and it is difficult to hide her stunning color. Zhang Wuji never forgot it after seeing it once.
Gao and Liu deserve to become Jin Yong's heroines, after all, even the producers and male stars who have read countless beauties in the circle can't resist being conquered by their beauty.
You Jianming, the producer of "The Family of Gold Powder", described the 15-year-old Liu Yifei as making all known stars bleak;
In 2014, he has debuted for 18 years, has cooperated with countless beauties, and Nicholas Tse, who is in his prime, just because the heroine is Gao Yuanyuan, he took over the movie "One Life" with an idiot.
But what is interesting is that Nicholas Tse described Gao Yuanyuan as the purest and most authentic existence in internal entertainment, like an extinct dinosaur, but it is quite consistent with the audience's cognitive source of Gao Yuanyuan: purely by imagination.
In fact, Gao Yuanyuan and Liu Yifei have an ambitious side that is out of the public's imagination, but why didn't the public smell the smell of blood, and even felt that they were quite Buddhist, further blessing the image of the goddess?
These two are actually very high-spirited.
Gao Yuanyuan feels that there are infinite possibilities, and her potential has not been developed because she has not encountered a plump role, and she hopes to become a high-quality actor.
Liu Yifei is very eager to break through, hungry for the satisfaction brought by performance creation.
are not willing to be vases, and they once sprinted to the big screen:
Gao Yuanyuan starred in Chen Kaige's "Search", Lu Chuan's "Nanjing! Nanking! 》； Liu Yifei starred in Huayi and Hollywood's "The King of Kung Fu", and Disney's "Mulan......
But other people's ambition is to drag others down, and even step on others to climb up, with a strong sense of fighting. But under their upbringing, they are not fighting for the number of people.
Both of them are well-bred people, and you have hardly seen them break down emotionally for many years after their debut, and they don't even seem to speed up their speech.
The way to release emotions is to listen to music, Liu Yifei jumped out of sweat, and Gao Yuanyuan imagined that the singer was shouting his heart.
In reality, when encountering an unfriendly visit, Liu Yifei frowned and repeated strange questions, but she could still answer sincerely with a smile.
And Gao Yuanyuan received a lady's education at school when she was a girl, and was excluded by her classmates because of her beauty, and low-key became her accustomed purpose.
You will find that unlike comparing with others, a satisfied childhood makes them have no sense of lack from the outside world, and out of upbringing, they instinctively do not and cannot compare with others, but only compete with themselves out of high requirements for themselves.
In addition, Gao Yuanyuan also took the initiative to give up many opportunities because his mother was in poor health and needed to accompany him for a long time. And Liu Yifei is very picky about the script and the production team, thinking that the blessing of the outside world can allow her to transform quickly, and she also took the initiative to give up many opportunities.
This kind of "secret effort" naturally does not smell bloody, and objectively, they do not show their faces frequently, and their ambitions have a sense of stealing.
But the above is only the reason why they were worshiped as goddesses during their flowering period, during which they were also criticized by the public for their acting skills, ridiculed scandals and even malicious to spread rumors and smear them.
Now the unprecedentedly consistent good reputation also comes from their own reconciliation of beauty after many years.
In Gao and Liu's own eyes, beauty was a shackle from the beginning.
They all had a period of extreme disgust with the image of the goddess praised by the outside world, and deliberately ran in the opposite direction of the public's imagination.
Liu Yifei said that she relied entirely on makeup, and after "The Condor Heroes", she was no longer next to the pure immortals. "The King of Kung Fu" makeup is the gray face of the Jianghu people, "Love Notice" is all without makeup, "The Four Famous Catches" is in a wheelchair, "Tongquetai" challenges large-scale dramas, and "Beacon Fangfei" plays a village woman......
The King of Kung Fu
"Beacon Flame"
also worked as a singing and dancing singer of the sexy little wildcat route, during which he appeared on variety shows to emphasize the wild side of his personality.
And Gao Yuanyuan also wants to pass through Zhou Zhiruo's viciousness, Ye Lanqiu, a cancer patient who was bullied by the Internet in "Search", and "Nanjing! Nanking! In the center of the war, the emaciated patriotic teacher Jiang Shuyun and other characters show their plumpness.
It's a pity that they all lost.
The heavyweight awards have not been received, and the public evaluation has not been subverted.
In fact, they worked hard and desperately, Gao Yin forced themselves to immerse themselves and shoot "Nanjing! Nanking! Several times of depression; When Liu was filming "Mulan", he almost fell off the cliff with a man and a horse.
But no matter how hard they work, they are destined to have mediocre acting skills, and there is not much possibility of breakthrough from the root.
They didn't enter the industry because they spontaneously liked to perform or show their talent in the first place, but passively entered the industry because of their beauty.
Gao Yuanyuan said that he became an actor because he didn't know what else he could do.
When filming "Qinghong" to enter the world, she confessed that she was not as excited as others, the original actor was vacant, she was just saving the scene at the time, and during the filming, she hated acting so much that she wanted to quit the circle.
Liu Yifei is too, her mother's acting career, she is just obedient. So when I first started in the industry, I was completely afraid and aggrieved.
The twisted beauty is not sweet, and the reluctant ignorance naturally lacks spirituality.
Coupled with the fact that they are too young to enter the industry, they have less possibility to try other things, coupled with the simple background formed by the abundance of childhood and the convenience of appearance, they lack the ability to think deeply and present rich emotions in shaping the role.
After all, human affection is actually the most impure, it is complex and chaotic like gray.
In addition, the performance is for people to watch, so a good performance is often not only authentic but also creative, and only in this way can the audience as a spectator be fully mobilized to cry and laugh.
Just look at Liu's explosive acting skills that have been touted recently, and the scene where Huang Yimei is hurt by her first love and vents her emotions.
You can see that Liu Yifei's emotions are indeed very full, but there is no level, let alone surprise.
Gao Yuanyuan in "Search", "Nanjing! Nanking! is also the same problem, you can see that she is extremely immersed, and her grief makes her tears almost never stop from beginning to end, but it is always difficult to move the audience to cry with her, because she is blindly engaged but does not think deeply, resulting in her actually not dealing with her performance, the same no level, no surprises.
The audience's visual feast only left the beauty of the two of them, and in terms of acting skills, they all ate boiled meat for the audience.
And in those years of self-proof, sometimes they couldn't even keep their beauty, and compared to others, their broken expressions were more likely to destroy their innate and accurate beauty.
After some tossing, Gao Yuanyuan began to reflect on whether he really had acting talent, and finally accepted his mediocre acting skills. In recent years, "Perfect Companion" and "Stop-and-Go" are all her comfort zone.
"Mulan" still failed to bring Liu Yifei to really soar, since "Menghualu" returned to her comfort zone, she has stopped sprinting to the screen in recent years to prove herself, "A Windy Place" and "The Story of Rose" are all national dramas.
At the same time, as they grow older, the beauty they once regarded as shackles has also reached the stage of being cherished by them.
For example, Gao Yuanyuan found that he had gray hair and wrinkles, and began to spend a lot of time on maintenance.
They finally reconciled with their beauty, no longer antagonist, and made them more beautiful than when they were younger.
And in recent years, the public's pursuit of its beauty is, like themselves, cherishing the passing of stunning faces, and also carrying the aftertaste of the 2000 years of entertainment beauties.
As mentioned above, it is not a coincidence that both of them were Jin Yong girls, coincidentally, the two starred in Jin Yong's drama and took advantage of this fire in 2003.
Back then, they didn't have any endorsements, and they were discovered purely because of their beauty.
Gao Yuanyuan was tapped by a talent scout to start filming an advertisement eating chicken legs at KFC, and the producer of "The Family of Gold Powder" was chatting about the script in the café, and accidentally caught a glimpse of Liu Yifei when he parked, and recognized her as Bai Xiuzhu at a glance.
At that time, there were many stories of amateurs being discovered by talent scouts because of their beauty and singing voice, including many later kings and queens.
Beauty is just a stepping stone, in the internal entertainment of beautiful women, the audience will begin to find fault with strength after watching the perfect appearance. Therefore, Gao and Liu's beauty has always been recognized, but later they were not favored by too many audiences because of their acting skills.
But now, domestic entertainment has already changed.
The ugly child of the capitalist is on the table, and the strength is not enough, and beauty, as a stepping stone back then, has now become a rare object.
Wang Hailin recalled the past in "Viewing the World Forum": "I still miss the days when the coal boss was an investor, except for asking for an actress, there is no other request, and I never interfere in our creation." ”
As a result, many people also miss the coal boss, and feel that the aesthetics of the coal boss are much better than the ugly children praised by the Internet giants who only know how to do data.
…… You don't have to compare the height of the pit. As personal capital, coal bosses are not fundamentally different from capital giants, and they are all doing the same thing to monopolize the aesthetics of the market.
The real difference between the two is that personal capital is to ensure income, and it will take into account the taste of the audience. And the capital giants have enough resources to cover the world of marketing, forcing anyone who wants to eat celebrity meals to the audience, polluting our eyes and covering our mouths.
How many of the popularity data that represent the audience's wishes are still true?
The audience who consumes entertainment is in turn dominated and consumed by capital.
It's tantamount to adulteration in the spiritual beer picked up by the workers in one of the few entertainment moments of the day, who can stand this.
But capital is shrouded like a behemoth, and only the surviving beauties of the year can be comforted and entertained, so there is the grotesque carnival of today. (Liu Piaopiao)
(Excerpted from the WeChat public account Liu Piaopiao)