In the fifteenth year of Shunzhi, when Qu Dajun went to the northeast to look for Hanke, he passed through Cangzhou, where he met Wang Shichen, who praised his poetry in particular, comparing Qu to Li Taibai, and Wang Fupeng thought that this metaphor was obviously "too prestigious", but Wang also said: "But in terms of style, it cannot be said that Wang Shichen's grasp is accurate." This metaphor of the Yuyangshan people obviously made Qu Dajun feel quite proud, and he said in the third part of the "Repeated Friends Shuzha Sense Endowment": "The earliest person to know is Ruan Ting, and Qinglian must not be good at immortals." Nine days of coughing and spitting on the pearls and jade, chaotic as a flying spring under the meditation. Hearing that the king compared himself to taibai, Qu Dun had a sense of confidant.
In addition, Qu Dajun also had close contacts with many famous poets, and the anecdote between them is the story of his rejection of Gong Xian's request for paintings. Gong Xian was a poet in the early Qing Dynasty, and he was famous in society, and he was a famous painter. In the fourth year of the Kangxi Dynasty, Gong Xian returned to Jinling from Yangzhou and built a half-acre garden on Qingliang Mountain, where the old residence is still there today, and two years ago I also visited his former residence on Qingliang Mountain. In the eighth year of the Kangxi Dynasty, Qu Dajun met Gong Xian, and he lived in the Gong family for a long time, and Qu was quite fond of the half-acre garden built by Gong, and he wrote two poems "Title Gong Chai Zhangyuan", the second of which was: "The biography of Gao Shi Song, the ground received the Distant Gonglu. Late I was depressed, and I hoeed this hoe. It seems that while Qu was envious of the half-acre garden, he also had the idea of retreating.
On one side is the vegetable patch and on the other side is the chicken coop
According to the above situation, it can be known that Qu Gong and Gong were relatively closely related, and it may be because of this that after Qu returned to Guangdong, he wrote a letter to Gong Xian and asked him for a painting, but for some reason, Gong returned a letter to him and politely refused his request: "The name of the painting of Ashita Su is ignorant... Servant Zhizhi resigned from his family for twenty years, traveled fifty thousand miles, one to nine sides, and then ascended the Five Mountains, was born in the South China Sea, asked about crossing the River and Han, all the yaquan tablets in the world, and the ancient monuments, all of which were examined in the map and crossed the mind. The servant will draw the beggar under the foot, and the foot will be the rest of the beggar. The reason why this servant would rather bear the guilt than dare to follow the teachings. ”
Narrow paths
Gong Xian said, You Mr. Qu has traveled all over the world for twenty years, read countless people, and read countless antiquities, and my paintings have stained your eyes, so I decided not to give them to you. Qu's mood after receiving this letter can be imagined. It is really difficult to explore why Gong did not give a picture to a friend, it is said that the painters of that era, not as cattle as they are today, are unlikely to talk about the flat scale as they do today, and painting people is equivalent to giving people money.
The newly erected Stone Arch
It can be seen from the above that the people Qu Dajun interacts with can definitely be regarded as talking and laughing, and there is no white Ding in exchanges. His vision is so high, and his poems certainly have a high style, but Wang Fupeng believes that society generally believes that Qu Dajun is imitating Li Bai's poetic style, and some people say that he imitates Du Fu's poetic style. This statement has also been mentioned before this, because Qu Dajun believes that he is a descendant of Qu Yuan, but Wang believes that this is not the main reason, because Qu Dajun is more from the spiritual level to emulate Qu Yuan's loyal monarchy and serve the country. This statement can be confirmed from Qu's "Self-made Clothing Crown Tomb Zhiming": "Give it to the north of the Yuhuatai in the south of Nanjing, and the south of the Mu mound pavilion, make a tomb to hide the crown." Since the book says 'The Tomb of the Crown of the South Sea Qu Dajun', not a virgin, not a widow, gai wants to come out from time to time, to do the way of the saint, not to live in the grass all his life, for the misfortune of the world also ... The body of the crown becomes dust with the heavens and the earth; the heart of the crown grows new with the sun and the moon. ”
Wen Bao, etc
Qu Dajun's poems were most praised by later generations for their five laws, and Yan Dichang said in the "History of Qing Poetry": "The four crosses of the five-word law poem have always been regarded as difficult to move and easy to cause stagnation, so why is Weng Shan uniquely good?" The key lies in the strength of 'qi', which is particularly good at changing and changing. Mr. Yan believes that the most difficult of the five laws is to have a connected qi vein, and Qu Shizheng has this. The book cites the following poem, "Confessions to the Time when Que Li and his sons go to Shanyin":
Hate Qin Huai willow the most, long strips and short strips.
The autumn wind blows the fallen leaves, and the night is not south.
Fan Li Lake guest, xiang will swing the radius.
Yan xun Dayu cave, straight across the Zhejiang tide.
Tomb of The Quji Family
For this five laws, Yan Dichang commented: "The so-called 'qi' and 'god' refer to the emotions that erupt from thin air, starting from the 'most hated' sentence, circling down, the words are emotional, and the grid is turned at will, all of which are not like the usual five laws of the five laws, sculpting the words and sentences, red with white. Qu Dajun also wrote some words, and his words were as heroic as his poems. I'll take a song called "Slow Waves and Sands, Suide Autumn Hope" as an example: "The gate is near, the west wind is rolling, and the pieces of sand are rising." Blowing dragon scales, the river swallowed into the ground. If you want to drink horses, Yuxi has no dripping water. More amorphous, frozen and unfinished. Sitting on the tomb of Gongzi Fusu, the cold weather has been suffering. Expecting from afar, half of the walls of the collapsed city condensed purple. With inch-long snakes, often mountainous, intermittent without head and tail. ......”
There is also a wenbao card here
Zhu Xiaozang also gave a high evaluation to Qu Dajun's words, while Chen Yongzheng believed in the "Selected Words of Lingnan Dynasties" that "Qu Dajun's words should be the palace army of the Ming Dynasty", and the recent people Ou Chu and Wang Guichen gave this comment to Qu Zhizi in the preface to the Complete Works of Qu Dajun: "The laws are high and beautiful, the spirit is heroic, and the works of sentimental events are worried about the times... Zhu Zumou, a master of modern lexicography, pushed the large average word as the crown of the early Qing Dynasty. ”
Qu Dajun's tomb is next to it
Qu Dajun's tomb is located in Baozhugang, Sixian Village, Xinzuo Town, Panyu District, Guangzhou, Guangdong Province, perhaps because of Qu Dajun's fame, it did not take much trouble to find this tomb. The tomb is on the half-slope of a hill, on the gravel road to this tomb, on the right is a chicken farm, on the left is a vegetable field, obviously this is a more environmentally friendly combination, the chicken steak will make the plants in the flower garden bloom more gorgeously. Nevertheless, I feel that there is a lack of a plant that can attract odors, because it is difficult to hold your breath if you have a small lung capacity along this route.
On the road directly opposite the tomb is a timber processing factory, along the path for 100 meters, that is, to a newly built stone arch, which does not indicate that this is the tomb of Qu Dajun, only inscribed with the words "A Torch South Heaven". The inner pillar of the stone arch is also engraved with a couplet "Xinguo Zhenxin Purple Mulberry Bright Festival, Gaoyang Miao Ethnic Orthodox Riot", I think this next sentence should say that Qu Dajun is a descendant of Qu Yuan, because Qu Yuan once introduced himself in "Leaving Sorrow", "Emperor Gaoyang's Miao descendants, Emperor Kao Yue Boyong", the canon of this stone arch is from "Leaving Sorrow", it seems that Qu Dajun believes that he is a descendant of Qu Yuan, and his sages also think that this is a historical fact, but unfortunately I have not done the corresponding research, then I will respect him as a descendant of Qu Yuan.
Qu Dajun is like
Through the stone archway, up to the middle of the hill is where Qu Dajun's tomb is located, in front of the tomb are placed three pieces of cultural protection plates, two of which are juxtaposed, which are the cultural protection plates issued by the Guangdong Provincial Government and the "Patriotic Education Base" issued by the Panyu Municipal Government, and on the right side of the two signs there is also the "Tomb of the Four Shuo People of Qumen" promulgated by Panyu District, and there are also metal plaques on the ground, which is the "patriotic education base" of the newly built town in Panyu District.
Sixian Pavilion
Here's an introductory card
The entire cemetery covers an area of about one acre of land, there are four or five tombs in the cemetery, the data records that in this cemetery in addition to Qu Dajun there are also the tombs of his parents and daughters-in-law, the family buried together after death, this is the ancient Chinese tradition. In the lower left of the cemetery is the tomb of Qu Dajun, the tombstone reads "Mr. Ming Qu Weng Shan Tomb", in the lower left of the entire cemetery area also built a new antique pavilion, known as "Sixian Pavilion", the pavilion has a new carved stele stone, the front introduces the life of Qu Dajun, and the back is engraved with Qu Dajun's official uniform in a line drawing.